名人字画收买常见的6个常见问题
6 common problems of buying famous calligraphy and paintings
1.暂不装裱的书画片不行随意折叠摞起，不然寄存时刻一久会从折叠处折断，或在折处留下黑色折痕，以致装裱后影响漂亮。假如要暂时赏识，切不行用图钉钉于墙上或用浆糊粘于墙上，不然会直接损坏书画片。正确保存书画片的办法是：可将书画片下面衬一层幅面相当薄的宣纸或皮纸，以纸卷为轴将书画片卷起，并用白纸或塑料膜包装，放在画盒内或书柜内。
1. Calligraphy and painting pieces that are not mounted for the time being should not be folded and stacked at will, or they will break off at the folding place for a long time, or leave black creases at the folding place, so as to affect the beauty after mounting. If you want to temporarily appreciate, do not nail to the wall or paste on the wall, otherwise it will directly damage the painting and calligraphy. The correct way to preserve the picture and calligraphy is to lined the picture and calligraphy picture with a thin layer of Xuan paper or leather paper, roll up the picture and calligraphy picture on a scroll, and pack it in white paper or plastic film, and put it in the picture box or bookcase.
2.书画装裱后更应妥善保存，寄存的当地要考虑防潮、防蛀、防鼠、防腐烂、防玷污等。可将每件书画装入一个塑料袋或布袋，也可用白纸包好，寄存时要平放，切勿竖置，更不要在书画上面放置重物使书画受压。假如有条件，可根据书画标准配制画盒，并在盒内放些樟脑和吸潮剂。
2. Paintings and calligraphy should be properly preserved after mounting. The local deposit should first consider moisture-proof, moth-proof, rat-proof, rot-proof, stain-proof and so on. Each painting and calligraphy can be packed in a plastic bag or cloth bag, or can be wrapped in white paper, should be placed flat when depositing, do not erect, do not place heavy objects on the painting and calligraphy to make the painting and calligraphy under pressure. If there are conditions, draw the box according to the standard of painting and calligraphy, and put some camphor and moisture absorbs in the box.
3.书画裱件寄存时不宜卷得过紧或过松，更不行反卷。假如卷得过紧，天地头两侧就会留下画心与边料接缝的压痕，影响书画的漂亮，还或许导致裱件的变形或呈现掉落；假如卷得过松，简单折毁书画；假如反卷，会使书画呈现一道道折痕，特别是古旧书画危害更大。
3. calligraphy and painting should not be too tight or too loose when it is stored. If the scroll is too tight, the two sides of the sky and the earth will leave a seam mark between the center of the painting and the edge material, affecting the beauty of painting and calligraphy, but also may lead to the deformation of the mounting or show off; if the scroll is too loose, simply break the painting and calligraphy; if the reverse, will make the painting and calligraphy show a series of creases, especially ancient paintings and calligraphy more harmful.
4.悬挂和展现书画时要慎重从事。悬挂书画时要一手持画钗挑住画绳，一手托住书画未打开的部分，然后渐渐放开来将书画挂起，取下画钗。
4. be careful when hanging and displaying calligraphy and painting. When hanging paintings and calligraphy, one should hold the painting rope in one hand, hold the unopened part of the painting and calligraphy in the other hand, and then gradually let go to hang the painting and calligraphy, and remove the paintings.
展现书画时要一人牵引画绳，另一人两手持轴头将书画打开，切忌两手向上持书画中心部分，不然5指会将书画划出折痕。关于无轴头的书画作品，展现时要用两指夹住，使画件从指缝中通过。此外，还应注意书画不宜长时间悬挂，挂一段时期后要卷起保藏一段时刻；对久存的书画要定时挂出来通风。
When displaying calligraphy and painting, one person should pull the drawing rope and the other should open the painting and calligraphy with the axle head in both hands. Never hold the central part of the painting and calligraphy upward with both hands, otherwise the five fingers will mark the calligraphy and painting. With regard to the painting and calligraphy works without axle heads, the two fingers should be clamped to show the pictures through the fingers. In addition, we should also pay attention to the painting and calligraphy should not be suspended for a long time, hanging a period of time to roll up after preservation for a period of time; for the long-standing painting and calligraphy to hang out regularly ventilated.
5.展现手卷、册页更要加倍注意，因手卷、册页的装裱较其他书画的装裱杂乱。手卷在展现时要放置平坦的案头或桌子上，注意案面或桌面不该有水点或脏物。手卷打开时不宜展得过长，要边展边卷。册页打开时不必手指翻，可用一个光滑而无毛刺的竹条插进册页夹页之间翻页。册页一般较厚，开端翻页或翻到后面几页会呈现双面薄厚不均，两页之间悬空，此刻假如不注意压住幅面中心的悬空处，则易形成折断现象。
5. More attention should be paid to the display of handbooks and pages, because the mounting of handbooks and pages is more disorderly than that of other calligraphy and painting. Hand rolls should be placed on a flat desk or desk when they are displayed. Note that there should be no water or dirt on the desk or desk. When you open your hand, you should not spread it too long. When the pages are opened, a smooth bamboo strip without burrs can be inserted between the folders to turn the pages. Pages are usually thicker, turning the page at the beginning or turning to the last few pages will show a double-sided uneven thickness, two pages between the suspension, if not pay attention to pressing the center of the width of the suspension, it is easy to form a breaking phenomenon.
6.保管现已破损的古旧书画更要慎重，一时不能修正的不要随意展现，以避免书画再度破损。假如是已破碎的书画则更要避免散片丢掉，避免给将来修正带来困难。无论是新旧书画，只需原裱尚能悬挂，画心尚无破损，一般不要急于揭裱修正，因揭裱一次就会对书画的纸素损害一次。假如原裱书画掉落或画心破损严峻，则应及时进行揭裱修正。
6. Keep the damaged old paintings and calligraphy more cautious. Don't show them at will if you can't correct them for a while, so as to avoid the damaged paintings and calligraphy again. If it is a broken painting, it is also necessary to avoid throwing away the scattered pieces and avoid difficulties in future correction. Whether it is old or new calligraphy and painting, as long as the original mount can still hang, the heart of the painting has not been damaged, generally do not rush to unmount correction, because unmounting once will damage the paper of calligraphy and painting once. If the original calligraphy or painting falls or the heart of the painting is seriously damaged, it should be corrected in a timely manner.
The article is provided by the Art Museum of Tai Ya Tang. Anyone who is interested in buying calligraphy and painting in Jinan can pay attention to us at http://www.jinandayatang.com. Please look forward to more exciting content.
