书画艺术要做到了,也就是说,作者必须继承了传统书法的技能水平。
Painting and calligraphy should be the first, that is to say, the author must inherit the skill level of traditional Chinese calligraphy.
第二个是享受书法技巧,绘画,如果正确使用,作者只要正常使用技巧都能作一幅画。
The second is to enjoy calligraphy skills, painting, if used correctly, the author as long as the normal use of skills can make a painting.
第三,保护作者的艺术成就。作者再次创造有时候不一定使用传统技巧,作者的独特个性张扬,它应该是一个能够体现作者灵魂的作品。
Third, protect the author's artistic achievements. The author's re-creation sometimes does not necessarily use traditional techniques, the author's unique personality publicity, it should be a reflection of the author's soul of the work.
第四，好作品的欣赏取决于构图的布局,气势。主要为字间距,山水间距,适当布局错落有致。一个看到作品的缺点。如错误,pragraphs,非标准字符,画出来的画是否缺乏一些章节，内容不,等等。
Fourth, the appreciation of good works depends on the layout and momentum of composition. Mainly for word spacing, landscape spacing, the appropriate layout is scattered. The last one saw the shortcomings of the work. Such as errors, pragraphs, non-standard characters, whether the painting lacks some chapters, content is not comprehensive, and so on.
三个镜子
Three mirrors
反映了传统书法方面的优点和缺点:书画作品的优点和缺点,要看看这张画显示了作者的书法古代传统的整体把握。换句话说,就是看看有多少时间作者在研究技法,如果抛开历史传统,不能称之为书法。虽然还有
It reflects the strengths and weaknesses of traditional calligraphy: the strengths and weaknesses of calligraphy and painting works. First of all, we should look at this painting to show the author's overall grasp of the ancient Chinese calligraphy tradition. In other words, it is to see how much time the author has spent researching techniques that can not be called calligraphy if historical traditions are discarded. Although there are some
待观察所有优雅的内容,反映了传统文化和艺术大师,他自己的艺术修养和文化素养。只有两者的结合,可使工作状态,能给观众以强烈的艺术魅力。照片在传统功能,高文化背景的风格,然后评估工作是否充分展示艺术创
All the elegant content to be observed reflects the traditional culture and artistic master, his own artistic and cultural accomplishment. Only the combination of the two can make the work status and give the audience a strong artistic charm. The photos are in traditional functional and high cultural background styles, and then evaluate whether the work adequately displays artistic creation.
造力,不同于别人的个性,传统艺术个性是假的,是工匠的艺术。我不能离开观众的感官刺激,影响,而不是艺术艺术。换句话说,这三个方面是一个个人书法水平三个镜子,三个层次。
Creativity is different from the individuality of others. Traditional artistic personality is false and artisan's art. I can not leave the audience's sensory stimulation, influence, not art and art. In other words, these three aspects are the three mirror and three levels of personal calligraphy level.
藏书画必须自己会写会画吗?答案是,
Is it necessary to write and draw pictures of the collection?
像古代书画或现代和当代书画的集合,从相应的知识是分不开的。我们的有五千年的文明,有必要读一些历史的艺术,欣赏,优点和缺点的真实性的识别有很大帮助。欣赏的水平只需要慢慢的,看起来更正常,慢慢了
Like the collection of ancient calligraphy and painting or modern and contemporary calligraphy and painting, it is inseparable from the relevant knowledge. Our country has 5000 years of civilization, it is necessary to read some historical art, appreciate, the advantages and disadvantages of the authenticity of the identification is very helpful. The level of appreciation needs to be gradual and normal.
解更多作品的味道。中心有画,例如,如果你经常写书法,书法中心可能出来的效果会更深刻的理解。并不是说不画或写,你不能开始书画的鉴定方法。只要平时欣赏的书画作品,消化和掌握的布局工作,绘画、颜色,,在这些细节上,认真的分析可以成为。
To understand the taste of more works. There are paintings in the center, for example, if you write calligraphy often, the effect of the center may be more profound to understand. It is not that no painting or writing, you can not start the identification method of calligraphy and painting. As long as you usually appreciate excellent calligraphy and painting works, digest and master the layout work, painting, color, in these details, careful analysis can become an expert.
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