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中国画的现在和未来

来源:http://www.jinandayatang.com 发布时间:2017-01-13

艺术也象别的事物一样,总是要新陈代谢的;一味的老调子,老样子,尽管各种活动依旧热闹,但必然会走向衰亡。
Art is like other things, always to the old one, The new supersedes the old.; a taste of the old way, although a variety of activities is still busy, but it will decline.
当前,大家感到中国画发展问题特别迫切,那正是由于权威机构、权威人物多年以来的导向结果之故。全国展览评选机制单一,提倡工笔,提倡制作,提倡写实。诸如此类,都足以令人跟风。权威机构、新闻媒体以及炒作宣传有意只突出那几位被无限拔高的名家,20年不变,形成固定人员,固定模式。一些能够画个性、画人性、画感情的画家,他们不愿意接受公式化、概念化、江湖化的风气,因此,他们早已退避三舍,便是命中注定了。
At present, we feel that the development of Chinese painting is particularly urgent, it is precisely because the authority, authority figures for many years the result of the guidance of the. National Exhibition selection mechanism is unitary, advocates fine brushwork, promote production, promote realism. And so on, enough to follow suit. The authoritative organizations, news media and publicity hype to only highlight that several are aggerated masters, 20 years, fixed personnel, fixed mode. Some can draw personality, human nature, the feelings of the painter painting painting, they are not willing to accept the formulation and conceptualization, the lakes of the atmosphere, therefore, they have already shied away, it is decreed by fate.
艺术的自由气氛,画家的平等精神,争论的民主风度,宽容的思想境界,是古往今来,艺术得以繁荣昌盛的起码条件。艺术史一个很重要的作用,就是后来人以史为鉴。这些年来,多少红得发紫,能把人吓个跟头的画家,无不在嘘声中落荒而去,不知所终。
The free atmosphere of art, the spirit of equality of the artist, controversial democratic style, tolerant ideological realm, is the basic condition to thriving and prosperous from ancient to modern times, the art of. A very important role in the history of art, human history is later. These years, the number of red hot, can scare the people a painter, all in boos to run, have never been heard of since.
物极必反,读者和观众则尤然。胃口倒了以后,要得到满足往往更加困难。
However, readers and viewers especially. Appetite fell later, to be met often more difficult.
但是,中国画发展也有其规律性,也属于艺术规律范畴之内的事,并非一说发展,就样样都去趋奇才是发展。
However, the development of Chinese painting has its regularity, but also belongs to the law within the scope of the matter, not a development, everything goes to wizards is the development.
中国画的发展以生存状态和自然环境,现实与历史的联系性为前提,执着于对精神独立性的维护,在不脱离现实的同时,保持着对直觉、情感、潜意识等主观世界的深度体验。担负着历史责任和社会热情,在失去精神追求的人生焦虑中唤醒理想的勇气。其核心乃是通过个体意识的真正自主来追求生命存在的意义。艺术是对自我的超越,发展应该是反潮流和反流行性的。艺术的精神价值必然通过一定的形式来体现,写意是中国画的一种重要形式。如何正确对待“写意”,就不能不涉及到形式美的观念。如八大山人的画,看起来简单、概括,但它所包含的意义却比一些写实的具体形象更广阔,更有力,它由具体的再现到写意的表现,表达的内容并不是弱化和简单化,反而是强化和精神化。艺术由再现(模拟)到表现(写意),由写实到写意,正是一个由内容到形式的积淀过程。因此,那些似乎是纯形式的线条、泼墨,实际是从写实的形象演化而来。其内容(意义)已积淀(溶化)在其中。同时画家的感情、观念、思想也积淀(溶化)在其中。但是,发展不能只在形式上求变化,还得在创作中加以总结,加以研究,而且不能斩断中国画的历史,只有同传统绘画、民族绘画联系起来探讨,才可能找到出路。
The development of China painting in the living condition and natural environment, contact with the reality of history as the premise, dedicated to the maintenance of the spirit of independence, not far from the reality at the same time, keep on intuition, emotion, subconscious subjective world such as the depth of experience. Shouldering the historical responsibility and social enthusiasm, in the loss of spiritual pursuit of life anxiety wake up the ideal courage. Its core is the pursuit of the meaning of life through the true autonomy of individual consciousness. Art is the transcendence of self, development should be anti tide and anti pop. The spiritual value of art must be reflected in certain forms, freehand brushwork is an important form of Chinese painting. How to correctly deal with "freehand brushwork", can not help but involve the concept of formal beauty. Such as Badashanren painting, looks simple and brief, but it contains some realistic significance than the specific image of broader, more powerful, it is specific to reproduction of decent performance, the expression content is not weakened and simplistic, but is strengthening and spirit. Art from reproduction (simulation) to performance (freehand brushwork), from realism to freehand brushwork, is a content from the form of the accumulation process. Therefore, what seems to be the pure form of lines, ink is actually from the image evolution and realistic. Its content (meaning) has been accumulated (melted) in which. At the same time the painter's feelings, ideas, ideas are also accumulated (melt) in which. However, the development can not only seek changes in form, to summarize, in the creation of, and can not be cut off China painting history, only with the traditional painting, paintings of the nation together to find a way to.