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收藏名家字画的十个问题要知道

来源:http://www.jinandayatang.com 发布时间:2022-08-25

字画在古玩中属于特别娇贵的一类。其贵在于它是纯艺术品,一些名人字画更是稀世之宝。下面收购名人字画人员就来讲讲收藏名家字画的十个问题。
Calligraphy and painting belong to a particularly delicate category in antiques. Its value is that it is a pure art, and some famous calligraphy and paintings are rare treasures. Next, the personnel who purchase famous calligraphy and painting will talk about the ten problems of collecting famous calligraphy and painting.
一、真假问题:书画市场赝品泛滥,购买名家书画时,应请行家掌眼,以防买来假货。稳妥的办法是直接从书画家手中购求。
1、 The problem of authenticity: the market for calligraphy and painting is flooded with counterfeit goods. When buying famous calligraphy and painting, you should ask experts for their eyes to prevent buying fake goods. The safe way is to buy directly from painters and calligraphers.
二、水平问题:书画艺术水平的高低是衡量其收藏价值的基本因素,名家之作也未必幅幅都是精品,如应酬之作、败笔之作便无法体现其应有的艺术水平,因而与精品的价值也大相径庭。
2、 Level problem: the level of calligraphy and painting art is the basic factor to measure its collection value. The works of famous masters may not be all fine works. For example, the works of social intercourse and the works of failure cannot reflect their due artistic level, and therefore the value of fine works is quite different.
三、问题:名家书画的定价似乎不受物价部门的约束,书画市场漫天要价的现象非常普遍,所以在购买名家书画时,要了解行情,或请内行把关,以免上当。
3、 Price problem: it seems that the pricing of famous paintings and calligraphy is not subject to the restriction of the State price department. It is very common for the painting and calligraphy market to ask exorbitant prices. Therefore, when buying famous paintings and calligraphy, you should first understand the market or ask experts to check the price to avoid being cheated.
四、品相问题:品相是指书画的“相貌”状况,这些都是影响书画价值的重要因素。如果购买古旧书画,更应注意品相问题。
4、 Appearance: appearance refers to the "appearance" of calligraphy and painting, which are important factors affecting the value of calligraphy and painting. If you buy old books and paintings, you should pay more attention to the appearance.
五、尺幅问题:名家书画的销售有的以幅为计价单位(幅是指常规幅面,即不小于4尺3开者),有的则以平方尺为计价单位。所以同一位名家的作品,幅面越大,其价值越高。如幅面小于4尺3开的小品,其价值就不能与常规幅面的书画相提并论。
5、 Size problem: some famous calligraphy and painting sales are priced in pieces (piece refers to the conventional size, i.e. not less than 4 feet and 3 kilometers), while others are priced in square feet. Therefore, the larger the size of the works of the same famous artist, the higher the value. If the size of the sketch is less than 4 feet and 3 kilometers, its value cannot be compared with that of the conventional size of calligraphy and painting.
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六、代表作问题:所谓代表作主要是指书画家的擅长项目,如齐白石画虾蟹、徐悲鸿画马、黄胄画驴、李可染画山水或牛等。对书家而言,有的以草书见长、有的以缘书见长……如果书画家的作品不是其擅长的项目,其价值即逊一筹。
6、 Representative works: the so-called representative works mainly refer to the items that calligraphers are good at, such as Qi Baishi's painting of shrimp and crab, Xu Beihong's painting of horse, Huang Zhou's painting of donkey, Li Keran's painting of landscape or cattle, etc. For calligraphers, some are good at cursive calligraphy, and some are good at fate calligraphy... If the works of calligraphers and painters are not the items they are good at, their value is inferior.
七、鼎盛时期问题:每位书画家一生都有创作的鼎盛时期,这一时期的书画作品,已经形成作者的风格,并能反映其应有的艺术功底和艺术水平。而书画家早年的临摹作品或成名前尚未形成个人风格的作品以及晚年体弱多病气力不支之时的作品等,其价值显然不能与其鼎盛时期的作品同等看待。
7、 Peak period: every calligrapher and painter has a peak period of creation in his life. The calligraphy and painting works in this period have formed the style of the author and can reflect his due artistic foundation and level. However, the value of calligraphers and painters' early copying works, works that had not yet formed their personal style before they became famous, and works in their later years when they were weak and sick and were not able to support themselves, can obviously not be treated the same as the works in their heyday.
八、题款与用印问题:有的名家书画有款无印或有印无款,或无印无款,或虽有款有印,但却是借盖他人闲章者,还有题上款者等等,因不能算作完善的作品,所以其价值便大打折扣。同样的作品,长题或题诗者比穷款者价值应高一些。在古旧书画中题上款者并不影响其价值。假如上款本身又是名人的话,反而更具价值。
8、 The problem of title and seal: some famous calligraphers and paintings have a title but no seal, or have no seal but no seal, or have a title but no seal, or borrow other people's seals. There are also those who have a title. Because they can not be regarded as perfect works, their value is greatly reduced. For the same works, those with long titles or poems should be more valuable than those with poor money. The inscription on ancient calligraphy and painting does not affect its value. If the above paragraph itself is a celebrity, it will be more valuable.
九、质地问题:书画的质地是指作书作画所用的纸或绢,也称作“地子”。书画质地的质量、使用效果以及其寿命都是影响书画价值的因素。例如同一位名家的作品,质地是上好宣纸者,其价值应高于其他杂纸者。
9、 Texture: the texture of calligraphy and painting refers to the paper or silk used for calligraphy and painting, also known as "Earth". The quality, use effect and life span of painting and calligraphy are all factors that affect the value of painting and calligraphy. For example, if the work of the same famous artist is made of high-quality rice paper, its value should be higher than that of other miscellaneous paper.
十、裱工问题:裱工是指书画裱件的装裱质量。有的书画裱件做工粗糙,或不平展,或残脱,或有折痕,或受湿受污等等,这些情况不但影响悬挂和欣赏,而且危及书画的寿命,也削弱了书画应有的价值。
10、 Mounting work: mounting work refers to the mounting quality of calligraphy and paintings. Some calligraphy and painting mounts are rough in workmanship, or uneven, or broken, or creased, or wet and polluted. These conditions not only affect the hanging and appreciation, but also endanger the life of calligraphy and painting, and weaken the value of calligraphy and painting.
越来越多人开始进入到收藏名人字画的行列,为了能够做好名人字画收藏,需要了解一些名人字画相关知识和注意事项。以上所讲希望您知道http://www.jinandayatang.com
More and more people begin to enter the ranks of collecting celebrity calligraphy and painting. In order to do a good job in collecting celebrity calligraphy and painting, we need to know some relevant knowledge and precautions of celebrity calligraphy and painting. I hope you know the above http://www.jinandayatang.com !