字画投资收藏是自古就有的古老行业，解决温饱后精神文化需要，当然收藏收购不能盲目，要有一定的标准才行，今天我们要说的便是从作者本身考虑起来。
Calligraphy and painting investment and collection has been an ancient industry since ancient times. To meet the spiritual and cultural needs after food and clothing, of course, collection and acquisition should not be blind, and there should be certain standards. Today, we want to consider the author himself.
作者综合修养
Author's comprehensive cultivation
人们常说“画如其人”“书如其人”。画是人格的显现，人格是修养的结果。如果一个画家画得很好，修养也高，那他就一定是潜力股。综合修养的提高，需要读万卷书和行万里路。尤其是古典文学方面的知识，要融会贯通，并在情感之时，配合意象诉诸笔端，形成独特的面貌。
People often say that "a painting is like a man" and "a book is like a man". Painting is the manifestation of personality, and personality is the result of self-cultivation. If a painter paints well and has high self-cultivation, he must be a potential stock. To improve your comprehensive cultivation, you need to read thousands of books and travel thousands of miles. In particular, the knowledge of Chinese classical literature should be comprehended, and when emotions arise, they should appeal to the pen with images to form a unique face.
作者的社会地位
Social status of the author
一些书画协会或者圈子的领导，其作品常会成为人们收藏驻足的焦点，被高价追捧。其实，这种领导无非就是两种，一种是凭着自己的艺术造诣和人格魅力征服了大家，还有一种是以行政干预或幕后运作的方式坐到一定位置。
Some leaders of painting and calligraphy associations or circles, whose works often become the focus of people's collection and are sought after at high prices. In fact, there are only two kinds of leadership. One is to conquer everyone with his own artistic attainments and personality charm, and the other is to sit in a certain position by means of administrative intervention or behind the scenes operation.
后者水平一般都比较平常，但是结交广泛，炒作能力也强，市场常会高于或者严重超出价值。面对书画官员，一些藏家慕其光环，不加鉴别地大肆收购，缺乏理性。尤其是对于长线持有的藏家而言，一旦这些领导不再是领导，他们的市场泡沫将会一夜破灭。
The latter level is generally ordinary, but they have extensive contacts and strong speculation ability. The market price is often higher than or seriously exceeds the value. In the face of calligraphy and painting officials, some collectors admire their aura and make indiscriminate purchases, lacking rationality. Especially for collectors with long-term holdings, once these leaders are no longer leaders, their market foam will burst overnight.
作者的财富自由度
The author's wealth freedom
古代舞文弄墨者多是士大夫文人，有大量的财富来保证其充裕的创作时间。比如，黄公望的《富春山居图》据说画了4年，这位大痴道人怀着对山水自然的崇拜和对友人的敬重，笔耕不辍，不遗余力，才有流芳千古的佳作产生。
Most of the ancient literati were literati, who had a lot of wealth to ensure their abundant creative time. For example, it is said that Huang Gongwang's "Fuchun Mountain Residence" has been painted for four years. With his worship for the landscape and nature and his respect for his friends, this crazy Taoist never stopped writing and spared no effort to produce a masterpiece that will last forever.
古代书画作品多是“闲”出来的，在悠闲中，弹素琴阅金经，陶身心养浩气。古代文人是不会轻易卖画的。清代画家査士标，只在家中无米时才卖画换钱，且边卖边骂：“画幅青山卖，看来是孽钱。”
Most of the ancient calligraphy and painting works come from leisure. In leisure, he plays the zither and reads the golden scriptures, and cultivates the spirit of Tao. Ancient literati would not easily sell paintings. Zha Shibiao, a painter in the Qing Dynasty, sold his paintings for money only when he had no rice at home, and scolded while selling: "selling paintings on green hills seems to be a sin for money."
时今日，一些画家为生计而奔波，就必须要去迎合市场，迎合一些通俗的审美观。黄宾虹说扬州画派和海派末流开了“江湖之门”，沾染了江湖习气而以卖画为业。
Up to now, some painters have to cater to the market and some popular aesthetics to make a living. Huangbinhong said that Yangzhou painting school and Shanghai Painting School opened the "gate of the Jianghu" at the end of the time, and they were infected with the habits of the Jianghu and began to sell paintings.
收购名人字画时要考虑到，一些人在创作的时候，往往心里想的是这幅画，能卖，或者这幅画送给哪位达官显贵能换多少实惠，这种心态必然会影响到创作，画境也会展示出“俗媚”之态。当然，这里不是说境遇差的人就一定不会出好作品。
When purchasing celebrity calligraphy and painting, it should be taken into account that when some people are creating, they often think about how much the painting can be sold, or how much the painting can be given to a dignitary. This mentality will inevitably affect the creation, and the painting will also show a "vulgar and charming" state. Of course, this does not mean that people in poor circumstances will not produce good works.
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