用墨问题包括两个方面：一是墨色，二是墨法。关于墨色，古代有很多说法。有人称五墨：焦、浓、淡、干、湿;有人称六彩：黑、白、干、湿、浓、淡。从含水量讲，墨有干、湿之分;从含墨量讲，墨有浓、淡之别。从极浓到极淡，墨色的变化层次十分丰富。同样，从极干到极湿，墨色的变化层次也很多。如果把干湿和浓淡结合起来，交错配合运用，那么墨色会产生出无穷的变化。
The problem of using ink includes two aspects: one is ink color, the other is ink method. There are many ancient sayings about ink color. Some people call it five ink: burnt, thick, light, dry and wet; others call it six colors: black, white, dry, wet, thick and light. From the water content, ink can be divided into dry and wet; from the content of ink, ink can be thick and light. From very thick to very light, the change of ink color is very rich. Similarly, from extremely dry to extremely wet, there are many levels of ink color change. If the combination of dry and wet and shade, staggered with the use, then the ink color will produce infinite changes.
1.积墨法。先用淡墨打底，干后再加画多遍，要一层比一层浓重，同时做到层次分明、各不相混。运用积墨法时，一定要在前一遍墨色干透后再画下一遍墨。积墨法可用于描绘配景中的山石，呈现出厚重的效果。积墨大都是在生宣纸上表现的。假如需要在熟宣纸或绢上采用积墨法，就要进行更好的把握，切忌脏、滞等问题的出现。
1. Ink accumulation method. First use light ink as the base, and then add more times after drying. The layers should be thicker than the other layers. At the same time, the layers should be clear and each should not be mixed. When using the ink accumulation method, make sure to draw the next ink after the previous one is dry. The method of accumulation of ink can be used to describe the rocks in the scenery, showing a heavy effect. Most of the ink accumulation is shown on Xuan paper. If you need to use ink accumulation method on cooked rice paper or silk, you should have a better grasp and avoid dirty, stagnant and other problems.
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Celebrity calligraphy and painting recycling
2.泼墨法。泼墨法与积墨法是相对而言的。积墨法是多层墨色的相积，泼墨法只表现一层墨色。在生宣纸与熟宣纸上都可用泼墨法。泼墨法的水分固然多一些，但不等于没有干笔。在运用中，泼墨法常常与破墨法相结合。如写意花卉的画叶法，大半都是泼墨与破墨相结合的墨法。
2. Splash ink method. Ink splashing and ink accumulation are relative. The ink accumulation method is the product of multi-layer ink color, while the splash ink method only shows one layer of ink color. Both raw and cooked rice paper can be splashed with ink. Splash ink method of course more moisture, but not equal to no dry pen. In the application, the splash ink method is often combined with the ink breaking method. Such as freehand brushwork of flowers, most of them are the combination of ink splashing and ink breaking.
3.破墨法。所谓“破”，就是破解之破。用破墨法可以破解不理想的部分，重新呈现一个更好的墨色。具体来说就是把墨气不足或墨色不丰富的部分，趁未干时重新补充一些重墨或淡墨，使前后不同的墨色相互渗化、衔接起来，形成一种复杂的墨色效果。在破墨法中，重墨可以破淡墨，反之亦可。撞水法本质上也是一种破墨法，只不过是用水来破墨而已。
3. Ink breaking method. The so-called "breaking" means breaking through. With the method of breaking ink, you can break the bad part and reappear a better ink color. To be specific, it is to add some heavy ink or light ink when the ink is not dry, so that the different ink colors can permeate and join together to form a complex ink effect. In the method of breaking ink, heavy ink can break light ink, and vice versa. In essence, water bump method is also a kind of ink breaking method, which is just to use water to break ink.
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