艺术金融的推行，为艺术市场大大增加了流动性，不但盘活了艺术市场里的存量资金，还把我国目前沉淀的2万亿艺术资产，变成了可流通的艺术资本。这部分资本的，将使目前我国艺术市场每年数百亿的总额，提升到一个新的层面，在当今文化大发展、大繁荣，文化产业方兴未艾之际，艺术金融无疑将产生大的助推效应。那么究竟是什么原因造就了古代名人字画的辉煌呢？我们接下来一起看看济南收购名人字画给大家做出的分析！
The implementation of art finance has greatly increased the liquidity of the art market. It not only activates the stock funds in the art market, but also transforms the 2 trillion art assets deposited in our country into the circulatable art capital. This part of the capital will raise the total amount of trade of tens of billions of dollars a year in the art market to a new level. At the time of the great development and prosperity of Chinese culture and the flourishing of cultural industry, art finance will undoubtedly have a great boost effect. So what is the reason for the brilliance of ancient celebrity calligraphy and painting? Let's take a look at Jinan's acquisition of celebrity paintings and calligraphy to give you an analysis!
艺术品购买力在哪里?不断连接新买家、新买力，挖掘拍品，拓展藏家群体边界以及战略布局艺术品电商和艺术品金融等等，也就构成了风起云涌、创新变革不断的传统领域——拍卖行业的选功课。而保利拍卖赵旭及其团队就是在这10年当中，把保利成功的打造成了艺术品领域的、艺术航母，成为艺术品市场的风向标。同时，继续艺术品新一轮的潮流与方向，是保利拍卖不断创新动力所在。
Where is the purchasing power of Chinese art? Constantly connecting new buyers, new purchasing power, tapping auction products, expanding the boundaries of the Tibetan community, as well as strategic layout of art e-commerce and art finance, and so on, constitute a surging, innovative and constantly changing traditional field - the selection of lessons in the auction industry. In the past 10 years, Poly Auction Zhao Xu and his team have successfully built Poly into an art carrier in the field of Chinese art trade and a vane of the art market. At the same time, continuing the new trend and direction of Chinese art trade is the driving force for innovation of Poly Auction.
艺术金融作为文化金融的一个分类，在过去几年经历了爆发式增长和停滞发展的市场起伏。以往艺术金融项目鲜有成功的根本原因在于，国内尚未建立起能够使其健康发展的基本要素、产业框架和人才储备，金融机构对艺术行业的特殊性缺乏足够的认识，大量的投资或投机客为追求短期利益任意炒作、盲目跟风，推出了一些在理论基础和实践执行上缺乏理性根据的项目，致使艺术金融的发展一度停滞不前，前景不明。
As a classification of cultural finance, art finance has experienced explosive growth and stagnant market fluctuations in the past few years. In the past, the fundamental reason why artistic financial projects rarely succeeded was that the basic elements, industrial framework and talent reserve that could make them develop healthily had not been established in China. Financial institutions lacked sufficient understanding of the particularity of the artistic industry. A large number of investors or speculators speculated arbitrarily and blindly in pursuit of short-term interests, and introduced some theoretical foundations and lack of practical implementation. The rational basis of the project, resulting in the development of art finance stagnated for a time, the prospects are not clear.

近年来，有多家银行开始尝试推出艺术金融业务，例如位于上海自贸区的农业银行自贸区支行、银行、山东潍坊银行等对此业务都有所尝试。在上海多家银行已经或计划建立文化艺术支行或开展相应的专项业务。而上海银行已经将艺术品融资列为正规业务，并已成功完成数笔，上海文化艺术品研究院是上海银行指定的第三方评估机构。江浙沪地区拥有大量的艺术品收藏家，其中的很多人，在企业发展过程中难免出现困难的时候，艺术品抵押业务则可以为这些人解决燃眉之急。
In recent years, a number of banks have begun to try to launch art finance business, such as Agricultural Bank of China (ABC) FTA Branch in Shanghai FTA, Bank of China, Shandong Weifang Bank and so on. Many banks in Shanghai have set up or plan to set up cultural and art branches or carry out corresponding special business. The Bank of Shanghai has listed art financing as a regular business and has successfully completed several projects. The Shanghai Institute of Cultural and Art Research is a third-party evaluation institution designated by the Bank of Shanghai. Jiangsu, Zhejiang and Shanghai have a large number of art collectors, many of whom, in the process of enterprise development inevitable difficulties, art mortgage business can solve these people's urgent needs.
究其原因，从表面来看是古代书画少，但从实际情况来看，主要是因为近现代书画市场，很多作品以及画家背后一般都有人托盘。而书画基本上都是以质取胜，几乎可能通过坐庄的方式进行运作，更为重要的是，目前古代市场的投资主力来自海外。在嘉德的拍卖会上，由海外藏家委托国内拍卖行拍卖的《莲社图》，堪称是石涛耗心血、为精彩的作品之一。虽然终达到了1177万元，但人士事前以为《莲社图》的保守也应在1500万元以上，不料在这么低的价位投资收藏者就放弃了。包括石涛《莲社图》在内，嘉德古代书画专场上为重量级的古画均为海外买家买走。另一件是明代赵左的山水长卷，画得繁密，堪称"千山万水"集于一卷，是1100万元。
The reason is that there are few ancient paintings and calligraphy on the surface, but in reality, the main reason is that there are trays behind many works and painters in the modern and contemporary painting and calligraphy market. And painting and calligraphy are basically won by quality. It is almost possible to operate by sitting in a village. More importantly, the main investment in the ancient Chinese market is from overseas. At the auction in Jiade, China, the Lotus Club map, which was auctioned by the domestic auction houses entrusted by overseas collectors, is one of Shi Tao's painstaking and wonderful works. Although it finally reached 11.77 million yuan, people thought in advance that the conservatism of Lianshutu should also be more than 15 million yuan. Unexpectedly, at such a low price, Chinese investment collectors abandoned it. Including Shi Tao's Lotus Club Tu, the Chinese Jiade Ancient Painting and Calligraphy Specialty is purchased by overseas buyers for heavy-weight ancient paintings. Another is Zhaozuo's long scroll of mountains and rivers in the Ming Dynasty, which is densely painted. It can be called "thousands of mountains and rivers" in one volume. It is 11 million yuan.
艺术金融化不但为金融产业的发展寻找到一条新的途径，是金融业发展的一个新方向，也为文化艺术品市场注入了新鲜的血液。在这样的形势下，无论金融机构还是文化艺术品市场都在探索新的途径，不断推出新的产品，目前，金融机构介入文化艺术领域，主要从事的是艺术品融资、艺术品信托、艺术基金等几方面的工作，这些都推动了艺术与金融结合的进程和步伐。越来越多的金融机构意识到文化艺术品值得投资，文化产业也需要资本助力，才能进一步壮大。
Art financialization not only finds a new way for the development of financial industry, but also injects fresh blood into the market of cultural and artistic works. Under such circumstances, both financial institutions and the market of cultural and artistic works are exploring new ways and constantly introducing new products. At present, financial institutions intervene in the field of culture and art, mainly engaged in the work of art financing, art trust, Art Fund and other aspects, which promote the process and pace of the combination of art and finance. More and more financial institutions realize that cultural and artistic works are worth investing, and the cultural industry needs capital to grow further.
艺术精品文化历史价值是经济价值的基础。伴随着艺术精品的攀升和坚挺，艺术精品财富管理的理念被越来越多的人接受。艺术品私人银行业务、艺术品家族信托、艺术基金会、艺术品保管与保险等都是艺术品财富管理的渠道和路径。艺术品财富管理可以地帮助客户保值增值、隔离风险、避免、合法节税、基业长青。而目前国内艺术品财富管理的服务供给无法满足需求，艺术品财富管理才刚刚开始。
The cultural and historical value of fine arts is the basis of economic value. With the ascent and firmness of fine arts, the concept of wealth management of fine arts has been accepted by more and more people. Private art banking, art family trust, art foundation, art custody and insurance are all channels and paths of art wealth management. Wealth management of artworks can help customers maintain and increase their value, isolate risks, avoid, legally save taxes, and keep their businesses green. At present, the domestic art wealth management service supply can not meet the demand, art wealth management has just begun.
以上就是由济南收购名人字画的小编给我们整理提供的精彩内容了，大家可以收藏我们的网站：http://www.jinandayatang.com！了解更多行业前沿资讯，谢谢大家的支持！
Above is the wonderful content provided to us by the small edition of famous calligraphy and painting acquired by Jinan. You can collect our website: http://www.jinandayatang.com! To learn more about the industry frontier information, thank you for your support!