书画主要在绢或宣纸上完成，其材质纤薄易损、特性柔软，如不经装裱这个环节则时久易伤。古代为了利于保存，便于观赏，从加固的实用需要出发，多用麻纸、布帛等材料在书画背面裱褙数层为装裱，称之为“裱褙”。而后逐渐加以美化，四周镶嵌薄型的绫、绢等丝织品为边框，在背面裱一层或数层纸，并加上必要的装饰，使原件更为牢固，而且便于舒展、悬挂，以适应人们观赏的要求。所以说装裱是伴随着书画传统艺术的发展而产生的书画装裱工艺。
Chinese painting and calligraphy are mainly finished on silk or rice paper. Its material is thin, fragile and soft. If it is not mounted, it will be vulnerable for a long time. In ancient times, in order to facilitate preservation and viewing, from the practical needs of reinforcement, linen paper, cloth and other materials were used to mount several layers on the back of painting and calligraphy as mounting, which was called "mounting". And then gradually beautify, surrounded by thin silk fabrics such as silk, silk, etc. as the border, mounted on the back of a layer or several layers of paper, and add the necessary decoration, so that the original is more solid, and easy to stretch, hang, in order to meet the requirements of people's viewing. Therefore, mounting is accompanied by the development of traditional art of painting and calligraphy and the production of mounting process.
名人字画收购公司提示大家，装裱可以说是对书画的深加工。明代周嘉胄在《装潢志》中说：“装潢优劣，实名迹存亡系焉。窃谓装潢者，书画之司命也。”
Celebrity calligraphy and painting acquisition company reminds you that mounting can be said to be a deep processing of calligraphy and painting. Zhou Jiaxuan of the Ming Dynasty said in his Decoration Chronicle: "The quality of decoration is closely related to the survival of real names. He who steals the name of decorator is also the commander of painting and calligraphy.
凡新完成的字画，一般要存放几个小时，让墨色、印泥有一个自然晾干的过程，但不要长期放置，因为写字或绘画时受水墨、颜色和其中胶水的浸渍，干后就会凸凹不平、起皱痕，若不装裱衬托，非但不如原来的样子，还要减色。所以一定要及时装裱，才能使墨气托出纸面，使画面生动，有益于颜色滋润、饱满浑厚可观。而且经过艺术设计的装裱，显得整洁美观，更能增添神韵。要是放置不裱，如画心空卷的不实或折叠成块等。也不宜保护，存放时间日久就会从折叠处折断纸绢的纤维，印泥可能会转印到画面上。或不慎造成断裂破损、残缺、污染、变色、水渍等明显损伤，如易发生黄色斑点，很难去掉，并容易招致蠹蚀。为日后收藏留下隐患，装裱后直接影响书画作品的品相，也影响观赏价值和艺术价值。如经常受潮湿，易生白、红、黑霉斑，若湿后粘连，就不易揭开，即使晾干也变成了废纸、烂纸灰，无法挽救。

Every newly completed painting and calligraphy should generally be stored for several hours, so that ink and mud have a natural drying process, but it is better not to put it for a long time, because when writing or painting is impregnated by ink, color and glue, it will be bumpy and wrinkled after drying. If it is not mounted as a foil, it will not be as good as the original, but also reduce the color. Therefore, it is necessary to mount it in time so as to bring ink out of the paper, make the picture vivid, and be beneficial to the color moistening, full and substantial. And after the mounting of artistic design, it looks neat and beautiful, and can add more charm. If it is not mounted, such as the empty volume of the picture center is not true or folded into blocks. It should not be protected. The fibers of paper and silk will be broken from the folding place over a long period of time, and the printing paste may be transferred to the screen. Or inadvertently cause fracture damage, disability, pollution, discoloration, watermarks and other obvious damage, such as the most prone to yellow spots, it is difficult to remove, and easy to cause erosion. In order to leave hidden dangers for future collection, mounting directly affects the quality of painting and calligraphy works, as well as the ornamental value and artistic value. If often damp, easy to white, red, black mold spots, if wet after adhesion, it is not easy to uncover, even if drying has become waste paper, rotten paper ash, can not be saved.
清代周二学在《赏延素心录》中说：“书画不装潢，既干损绢素；装潢不精，又剥蚀古香。”（“书画不装裱，就会很快使绢面或纸心受到损坏；装裱得不精美，又会侵蚀书画原有的古色、古香的韵味。”）由此说明，要想书画保持，便于欣赏、收藏、流传，必须及时装裱。而装裱技术的高低、绫绢色彩的选择与装裱形式的设计直接影响到书画作品的艺术效果。书画作品装裱得好就会锦上添花。北京赵老师书画装裱工作室，多年经验，独到眼光，被誉为首都各界字画爱好者的良师益友，可为之店。
Tuesday Xue of the Qing Dynasty said in "Appreciation of Yansu Xinlu" that "painting and calligraphy do not decorate, which not only destroys silk, but also exfoliates ancient fragrance." ("Painting and calligraphy without mounting will quickly damage the silk surface or paper core; mounting is not exquisite, and will erode the original antique, antique flavor of painting and calligraphy." This shows that if you want to keep painting and calligraphy permanent, easy to appreciate, collect and spread, you must mount them in time. The level of mounting technology, the choice of silk color and the design of mounting form directly affect the artistic effect of painting and calligraphy works. Painting and calligraphy works are well mounted, which will add to the cake. Beijing Zhao Teacher's Painting and Calligraphy Mounting Studio, with many years of experience and unique vision, has been praised as a good teacher and friend of all walks of life in the capital, and can be the preferred shop.
好了，今天的内容就先给大家介绍到这里了，收藏名人字画收购公司的官网：http://www.jinandayatang.com，可以了解更多详细信息！
Okay, today's content is introduced to you first, the official website of the acquisition company of collecting celebrity calligraphy and painting: http://www.jinandayatang.com, you can learn more details!