修复,是为了让更多不同文化层次的人直观的观赏、理解当时的文化。文物的修复,应以当时的文化背景为理论根据。由于,作品一旦进入时间进程,将不可防止地印上历史性烙印。同时,它还历经了中华民族各个历史时期的政治、经济、文化的演化,是每个时期中人们审美确认的根据。因而,书画作品在停止修复之前,必需以作品当时的时期背景、文化背景以及历史背景为理论根据。所以在书画修复的过程中积极查找材料,处理问题,使修复的局部与原作品可能的到达类似,并非是创新,自觉的修复。
Restoration is to let more people of different cultural levels intuitively appreciate and understand the culture at that time. The restoration of cultural relics should be based on the cultural background at that time. As a result, once the work enters the process of time, it will inevitably be imprinted with the historical brand. At the same time, it has undergone the political, economic and cultural evolution of the Chinese nation in various historical periods, which is the basis for people's aesthetic recognition in each period. Therefore, before restoring the painting and calligraphy works, we must take the time background, cultural background and historical background as the theoretical basis. Therefore, in the process of painting and calligraphy restoration, actively find materials and deal with problems, so that the parts of the restoration are similar to the original works, not innovative and conscious restoration.
修复,是以传承后世为目的。“修旧如旧”是文物修复的一个重要准绳。古旧字画是一种的艺术品,假如修复的不好,就会大打折扣,以会对旧字画形成愈加严重损毁,危及古字画的寿命,也削弱了古字画应有的艺术价值。因而在修复的过程中,要遵谨记“四则六性”。
Restoration aims at inheriting future generations. "Repairing the old as the old" is an important criterion for the restoration of cultural relics. Ancient calligraphy and painting is a kind of non-renewable works of art, if the restoration is not good, it will be greatly discounted, and even more serious damage to the formation of old calligraphy and painting, endanger the life of ancient calligraphy and painting, but also weaken the artistic value of ancient calligraphy and painting. Therefore, in the process of restoration, we should keep in mind the "four principles and six characteristics".
“四则”即:小干预准绳、信息保存准绳、平安性准绳、可再处置准绳;“六性”为:经历性、性、科学性、标准性、艺术性、创新性。

"Four principles" are: minimum intervention criterion, maximum information preservation criterion, safety criterion and reprocessable criterion; and "six characteristics" are: experience, professionalism, science, standardization, artistry and innovation.
书画修复的意义:修复,自身就是一种无形的文化遗产,书画修复的技术直接关系到中华民族文化艺术的传承。
Significance of painting and calligraphy restoration: repair itself is an intangible cultural heritage. The technology of painting and calligraphy restoration is directly related to the inheritance of Chinese culture and art.
从狭义上讲,是经过延长书画本体的寿命从而尽可能长时间的维护书画中赋存的各类信息,恢复作品的完好性、进步作品的审美价值、研讨价值、珍藏价值以及历史价值。为我们理解古代人类的活动奠定根底。从广义上讲,是为了现代和将来的人。由于它不只肩负着为我们和子孙后代延长文化遗产寿命的重担,同时还要将提取、研讨、维护文物中的信息,向公众展现,“让文物活起来”,让文物说话,让历史重现,使考古研讨者有迹可循。终效劳于整个社会。
In a narrow sense, it is through prolonging the life of the body of painting and calligraphy to maintain all kinds of information in painting and calligraphy for as long as possible, to restore the integrity of the work, to improve the aesthetic value of the work, to discuss the value, to treasure the value and historical value. It lays the foundation for our understanding of ancient human activities. Broadly speaking, it is for modern and future people. Because it shoulders not only the burden of prolonging the life span of cultural heritage for us and future generations, but also the need to extract, discuss and maintain the information of cultural relics, to show the public, "let cultural relics live", to make cultural relics speak, to make history recur, and to make archaeological researchers have traces to follow. Ultimately, it serves the whole society.
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