名人字画收买罕见的6个问题
Six Rare Questions on the Purchase of Celebrity Characters and Paintings
1.暂不装裱的书画片不可随意折叠摞起,否则寄存工夫一久会从折叠处折断,或在折处留下黑色折痕,以致装裱后影响美观。假如要暂时欣赏,切不可用图钉钉于墙上或用浆糊粘于墙上,否则会间接损坏书画片。正确保管书画片的办法是:可将书画片上面衬一层幅面相当薄的宣纸或皮纸,以纸卷爲轴将书画片卷起,并用白纸或塑料膜包装,放在画盒内或书橱内。
1. Paintings and calligraphy that are not mounted for the time being should not be folded and stacked at will. Otherwise, the storage time will break from the fold or leave black creases in the fold, which will affect the beauty after mounting. If you want to appreciate it temporarily, you must not pin it to the wall or paste it to the wall. Otherwise, it will indirectly damage the painting and calligraphy. The correct way to keep the pictures and calligraphy is to lined the pictures with a layer of rice paper or leather paper, roll up the pictures and calligraphy on a paper roll, and pack them with white paper or plastic film, and put them in the picture box or bookcase.
2.书画装裱后更应妥善保管,寄存的要思索防潮、防蛀、防鼠、防霉烂、防玷污等。可将每件书画装入一个塑料袋或布袋,也可用白纸包好,寄存时要平放,切勿竖置,更不要在书画下面放置重物使书画受压。假如有条件,可依据书画规格配制画盒,并在盒内放些樟脑和吸潮剂。
2. Paintings and calligraphy should be properly preserved after mounting. The storage center should first consider moisture-proof, moth-proof, rat-proof, mildew-proof and stain-proof. Each painting and calligraphy can be packed in a plastic bag or cloth bag. It can also be wrapped in white paper. When it is stored, it should be laid flat. It should not be erected, let alone put heavy objects under the painting and calligraphy to make the painting and calligraphy pressed. If conditions permit, the cartoon can be prepared according to the specifications of the painting and calligraphy, and some camphor and moisture absorbent can be placed in the carton.
3.书画裱件寄存时不宜卷得过紧或过松,更不可反卷。假如卷得过紧,天地头两侧就会留下画心与边料接缝的压痕,影响书画的美观,还能够招致裱件的变形或呈现零落;假如卷得过松,容易折毁书画;假如反卷,会使书画呈现一道道折痕,特别是古旧书画损害更大。
3. Painting and calligraphy mountings should not be rolled too tightly or loosely, let alone rolled back. If the scroll is too tight, the seams between the center of the painting and the edge material will be left on both sides of the sky and the earth, which will affect the beauty of the painting and calligraphy, and can also cause the deformation or scattering of the mounting parts; if the scroll is too loose, it will easily damage the painting and calligraphy; if the scroll is reversed, it will make the painting and calligraphy show a fold, especially the damage of the ancient painting and calligraphy is greater.
4.悬挂和展现书画时要慎重从事。悬挂书画时要一手持画钗挑住画绳,一手托住书画未展开的局部,然后渐渐放开来将书画挂起,取下画钗。
4. When hanging and displaying paintings and calligraphy, we should be cautious. When hanging paintings and calligraphy, one hand should hold the painting rope with the painting hairpin, the other hand should hold the unopened part of the painting and calligraphy, and then gradually open up to hang the painting and calligraphy, remove the painting hairpin.

展现书画时要一人牵引画绳,另一人两手持轴头将书画展开,切忌两手向上持书画两头局部,否则5指会将书画划出折痕。关于无轴头的书画作品,展现时要用两指夹住,使画件从指缝中经过。此外,还应留意书画不宜临时悬挂,挂一段时期后要卷起珍藏一段工夫;对久存的书画要活期挂出来通风。
When displaying painting and calligraphy, one person should pull the drawing rope while the other two hands hold the axle head to unfold the painting and calligraphy. Don't hold the painting and calligraphy on both ends with both hands upward. Otherwise, the five fingers will mark the painting and calligraphy with creases. As for the paintings and calligraphy without axle heads, they should be displayed with two fingers to make the paintings pass through the finger seams. In addition, we should also pay attention to the inappropriate temporary hanging of paintings and calligraphy. After hanging for a period of time, we should roll up the collection for a period of time, and hang out the long-standing paintings and calligraphy for ventilation.
5.展现手卷、册页更要加倍留意,因手卷、册页的装裱较其他书画的装裱复杂。手卷在展现时要放置平整的案头或桌子上,留意案面或桌面不应有水点或脏物。手卷展开时不宜展得过长,要边展边卷。册页展开时不必手指翻,可用一个润滑而无毛刺的竹条插进册页夹页之间翻页。册页普通较厚,开端翻页或翻到前面几页会呈现两面薄厚不均,两页之间悬空,此时假如不留意压住幅面两头的悬空处,则易形成折断景象。
5. More attention should be paid to the display of handbooks and pamphlets, because the mounting of handbooks and pamphlets is more complicated than that of other paintings and calligraphy. Hand rolls should be placed on flat desks or tables when they are displayed. Be aware that there should be no water or dirt on the desks or tables. When the hand roll is unfolded, it should not be extended too long. It should be rolled as it is unfolded. It is not necessary to turn the pages with fingers when they are unfolded. A lubricated and burr-free bamboo bar can be inserted into the pages between the pages of the pages to turn the pages. Pages are usually thicker, turning over or turning over to the front pages will show uneven thickness on both sides, hanging between the two pages. At this time, if you do not pay attention to the hanging space at both ends of the breadth, it is easy to form a broken scene.
6.保管曾经破损的古旧书画更要慎重,一时不能修复的不要随意展现,以防止书画再度破损。假如是已破碎的书画则更要避免散片丧失,以免给未来修复带来困难。无论是新旧书画,只需原裱尚能悬挂,画心尚无破损,普通不要急于揭裱修复,因揭裱一次就会对书画的纸素损伤一次。假如原裱书画零落或画心破损严重,则应及时停止揭裱修复。
6. It is more prudent to keep the old paintings and calligraphy that have been damaged. Don't show them casually if they can't be repaired for a while, so as to prevent them from being damaged again. If it is a broken painting and calligraphy, it is more important to avoid the loss of fragments, so as not to bring difficulties to future restoration. Whether new or old paintings, as long as the original mounting can still hang, the painting heart is not damaged, generally do not rush to uncover and repair, because once uncovered will damage the paper element of the painting once. If the original mounted calligraphy and painting is scattered or the painting center is seriously damaged, it should stop exposing and repairing in time.
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