众所周知，现在回答艺术有什么独特的艺术性这个问题是不可能的，当代艺术的特殊条件使得询问这个问题的行为变得不仅不可能，而且不合理，甚不负责是没有品位的表现，或者更糟糕的是，是不可逆转地脱离艺术日常实践的表现。
As everyone knows, now answer the question of what art is a unique art is not possible, the special conditions of contemporary art makes the behavior of asking this question becomes not only possible, but also unreasonable, even not responsible for there is no taste, or worse, is irreversible from the daily practice of art performance.
对不能容忍定义或其他形式的界定的某物(所以成了某种根本上不可知的事物的一部分：不知道我们在做什么)作出贡献，或参与其中，通常是“文化”从本质上复制自己的一种方式。这是区别它们的一个重要的细微差别，因为它必然意味着当代艺术属于“文化”的一般范畴，而艺术不属于。反过来，这未必是件好事，实际上，这可能是件坏事。这很可能是件坏事。

The definition can not tolerate or other forms of the definition of something (as a part of something so fundamentally unknowable things don't know what we are doing) contribute to or participate, usually is a form of "culture" from the essence of their replication. This is an important distinction between them, because it necessarily means that contemporary art belongs to the general category of "culture", and art does not belong to it. This, in turn, is not necessarily a good thing. In fact, it may be a bad thing. It's probably a bad thing.
当今世界对真理过程怀有双重敌意，这种敌意通过名义上的闭塞表现出来：在一个真理过程的名字应该存在的地方，另一个抑制它的真理却占统治地位。“文化”这一名字的出现是要毁灭“艺术”的名字。
In today's world with double hostility to the process of truth, the hostility by the name of the block shown: there should be a place in the name of truth, another inhibition of its truth is dominant. The name "culture" is the name to destroy art.
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