一、树立正确的临摹观，要注意以下几方面问题
First, to establish the correct concept of copying, we should pay attention to the following problems
1.临摹是手段不是目的。临摹古法书，目的是掌握书法基本规范，而不是复制、重复古人。因此，临摹必然要有一个进入与退出的过程，不能一味临古，食古不化。
1. copying is a means, not an end. Copy the ancient book, the purpose is to master the basic calligraphy norms, rather than replicate the ancients. Therefore, it must be a copy of the entry and exit of the process, not only the ancient, ancient.
2.临摹法帖，在探求笔法，而不是刻画外形。临摹的目的是弄清其笔法规律、所致之由，由个别而掌握一般，而不是机械描摹其形状。运笔方法不对，即使一点一画都描得十分逼真，那也无益于对书法笔法、规律的掌握。
The 2. copy in search of key strokes, Fateh, rather than depict the shape. The purpose of copying is to make sure that the rules of the writing style are caused by the individual, and not by the machine. The method of writing a pen is wrong, even if the one point one paintings are very realistic, it is not conducive to the handwriting, the law of the master.

3.临摹以掌握笔法为目的，不以外形描摹为目的，决不意味着临摹者可以任意发挥。相反，为了使临书者能准确掌握笔法技巧，建立在正确方法基础上的“形似”也是十分必要的。
3., copying to grasp the purpose of writing, not to portray the purpose of the shape, does not mean that the copy can be played arbitrarily. On the contrary, in order to enable the book holder to master the technique of writing accurately, it is also necessary to establish the similar form on the basis of the correct method.
二、书法与文学的关系
Two, the relationship between calligraphy and Literature
书法和文学，都是人生激情的吐露，两种艺术虽属不同艺术类别，但在精神与表现上，却息息相通。书情的畅达，可以推动文思的妙响;文思的高逸，也可带动书意的高翔。
The calligraphy and literature, is a passion for life out, two kinds of art belong to different art categories, but in spirit and performance, but it. The book of accessibility, can promote the Vince Evans wonderful sound; the beauty, also can drive the book of Gao Xiang.
三、隐含的书法“生态形式”及其结构
Three, the implied "ecological form" of calligraphy and its structure
书法艺术的文化生态形式由以下几个层次组成：(1)文字语义层;(2)笔墨外形层(点画仪态、结构样式);(3)墨象层(筋骨肉血、精神气质);(4)历史文化层(性情道德伦理)。
The ecological culture form of the art of calligraphy is composed of the following parts: (1) the text semantic layer; (2) the ink layer (stipple shape deportment, structure style); (3) like ink layer (and the flesh and the blood, spirit); (4) historical and cultural layer (nature ethics).
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