Hanging calligraphy and painting in the room can render the artistic atmosphere, expand vision, add beauty, cultivate sentiment and delight the body and mind. However, hanging calligraphy and painting is quite exquisite. Here are some tips.

1.装裱加框俗话说“人要装，画要裱”，一幅画装裱、加框后，即显露出高雅的魅力。字画、源远流长，字画的装裱，也要相益得彰，颜色要选择沉稳，与字画格调统一，应突出居室的高雅的品味。

1. Mounting and framing as the saying goes, "people should mount, and paintings should be mounted". After a painting is mounted and framed, it shows its elegant charm. Chinese calligraphy and painting have a long history. The mounting of calligraphy and painting should also complement each other. The color should be calm, unified with the style of calligraphy and painting, and highlight the elegant taste of the room.

2.忌多求精不论您的居室宽大或狭小，都应该遵循少而精的原则悬挂字画，切不可将山水、人物、书法、风景一应俱全地悬挂于一堂，贪多求全，会使人感到庸俗、繁琐沉重。

2. Avoid more refinement. No matter whether your room is large or small, you should follow the principle of less but better calligraphy and painting. You must not hang all kinds of landscapes, characters, calligraphy and scenery in one room. Being greedy for more perfection will make people feel vulgar, cumbersome and heavy.

3.色彩应协调字画的色彩选择，一定要和居室、家具的颜色相匹配，才会给人以儒雅的感觉。否则适得其反。通常水彩画宜和淡色墙壁、家具配用，能营造出清新、典雅的情趣。板画和线条整齐、边角突出的家具相配，才能显得沉稳、洁净、整齐。

3. Color should coordinate the color selection of calligraphy and painting. It must match the color of bedroom and furniture to give people a sense of elegance. Otherwise, it will backfire. Usually watercolor painting should be used with light color walls and furniture to create a fresh and elegant interest. Only by matching board painting with furniture with neat lines and prominent corners can it appear calm, clean and neat.

4.采光合理字画悬挂应考虑采光合理。应将字画放在采光好，开阔的墙面上，像床边、迎面墙、书桌、茶几和沙发等低矮的家具上方，不能悬挂在角落或高大的家具旁。工笔画要放在向阳明亮处，写意的粗笔画可放在光线

4. Reasonable lighting shall be considered for calligraphy and painting hanging. Calligraphy and painting should be placed on the open wall with good daylighting, such as bedside, facing wall, desk, tea table, sofa and other low furniture, and should not be hung in the corner or next to tall furniture. Fine brushwork should be placed in the sunny and bright place, and freehand brushwork can be placed in the light

略暗的地方，否则，工笔画笔画细会模糊不清，写意的粗笔强烈刺目，有失雅致。

Slightly dark place, otherwise, the fine brush will be blurred, and the freehand thick brush will be strong and dazzling, which is not elegant.

5.高低合适字画不过挂得高过低，应挂在墙壁从上下2/5处适宜，因此这个高度与人直立的平行视线略偏高的位置，客人一抬头将字画尽收阳底，舒服、顺眼。

5. The height of calligraphy and painting is appropriate, but the hanging height is too low. It is most appropriate to hang it on the wall from top to bottom 2 / 5. Therefore, this height is parallel to the human upright, and the line of sight is slightly higher. As soon as the guest looks up, he will collect all the calligraphy and painting on the sun, which is comfortable and pleasing to the eye.

6. 四季常换字画收藏较多，可以按四季有别的原则常换，一则免得字画挂得久，纸质风化变脆；二是有新鲜感又应景色变化。春挂桃花竞放、夏挂荷塘鹤影、秋挂枫红菊黄、冬挂踏雪寻梅，可以营造闲性逸志，也可反其道而行，夏挂梅花经雪，那么盛夏酷暑中

6. There are many collections of calligraphy and paintings that are often changed in the four seasons. They can be changed according to the principle of different seasons. On the one hand, the calligraphy and paintings will not be hung for a long time and the paper will become weathered and brittle; Second, there is a sense of freshness and changes in the scenery. Peach blossoms in spring, crane shadows in the lotus pond in summer, maple red chrysanthemum yellow in autumn and plum blossoms in winter can create leisure and ambition, or go the opposite way. Plum blossoms in summer can pass through snow, so in the heat of midsummer

字画永远艳丽的窍门

The secret of always beautiful calligraphy and painting

1、梅雨季节不宜悬挂字画；

1. Calligraphy and painting should not be hung in plum rain season;

2、勿将字画悬挂在阳光直射的地方;

2. Do not hang calligraphy and paintings in direct sunlight;

3. 注意防虫防鼠；

3. Pay attention to insect and rat prevention;

4. 不能用湿布檫拭,要准备鸡毛掸子轻拭;

4. Do not wipe with a wet cloth, but prepare a chicken feather duster to wipe gently;

5、一旦被昆虫咬破及时修补托裱。

5. Once bitten by insects, repair the mounting in time.