当下,艺术品投资已成为家庭资产配置的一部分,不少人开始关注书画艺术品投资,很多人都在问山东收购名人字画中心这样一个问题,“什么样的书画艺术品值得收藏?”“什么样的书画艺术品有前景?”这类问题往往 “一言难尽”。
Nowadays, art investment has become a part of family asset allocation. Many people begin to pay attention to the investment of calligraphy and painting works. Many people are asking the question of Shandong's acquisition of celebrity calligraphy and painting center: "What kind of calligraphy and painting works are worth collecting?" "What kind of calligraphy and painting works have prospects?" Such questions are often "hard to say".
1.不是所有名家作品都有价值
1. Not all famous works have value.
这条有两层意思:其一,有的大名家名实难副。在内地这种逆淘汰的体制下,平庸者往往居上位,杰出者却居于野,直到身后才大放异彩;其二,即使是名副其实的名家,其作品也不是每件皆。有时因为应酬、身体健康、情绪低落等原因会创作出低劣平庸或不尽人意的作品。另外,在艺术家一生的艺术生涯中,其早、中、晚期的作品水平悬殊往往是非常大的。
This article has two meanings: one is that some famous masters are hard to match. Under the system of Reverse Elimination in the mainland of China, mediocre people tend to be in the top position, while outstanding people live in the wild until they die. Secondly, even the real famous writers, their works are not all excellent. Sometimes because of the social, physical health, depression and other reasons will create inferior mediocre or unsatisfactory works. In addition, in the artist's life of art career, the level of his early, middle and late works is often very different.
2.艺术性,年代第二;宁收藏小名头精品,不收大名头烂品。
2. Art is the first and age is the second. Better to collect the fine works of Xiaomingtou than the bad ones of Damingtou.
作者知名度是艺术收藏投资必须考虑的一项,但是,并不等于说“知名度越高越有收藏投资价值”。值得注意的是收藏原则仍然是艺术性,知名度第二。
Author's popularity is a must to be considered in art collection investment, but it does not mean that "the higher the popularity, the more valuable the collection investment". It is worth noting that the collection principle is still the first in artistry and the second in popularity.
3.只收好的,不收贵的
3. Only good ones, not expensive ones.
当代的书画艺术市场仍处于混乱无序的状态中,过度炒作和虚假成交已经是司空见惯之事。许多书画艺术品的市场表现与其实际的艺术价值往往不同步,甚与其艺术价值背道而驰。那种认为拍出高价的就是好作品的观点和以“市场风向标”为“入仓”依据的做法还值得商榷。——鉴宝天下

The contemporary Chinese painting and calligraphy art market is still in a chaotic and disorderly state. Over-hype and false transactions are common occurrences. The market performance of many paintings and calligraphy works is often not synchronized with their actual artistic value, or even run counter to their artistic value. The idea that high prices are good works and the practice based on "market vane" are still debatable. —— Treasure the world
4.切忌遍地开花
4. Don't blossom everywhere.
当代书画艺术家多如牛毛,群星璀璨。收藏投资爱好者没必要“见好必收”“遍地开花”。除非你资金特别,精力特别旺盛。否则选取一两家或两三家。总之在选择书画艺术家上要重质量,而不是重数量。
Contemporary artists of painting and calligraphy are like cow hair and stars. Collection and investment enthusiasts do not need to "harvest when you see good" or "flourish everywhere". Unless you have a lot of money and energy. Otherwise, it's better to choose one or two or two or three. In short, in choosing artists of calligraphy and painting, we should emphasize quality rather than quantity.
5.不收跟风作品
5. No follow-up works
不可否认,一切书画艺术家的作品都或多或少地融入了自己的个性成分,即使临摹品也有临摹者个性的投射。但是此作品往往个性不突出,所以必须在“个性”前加“鲜明”二字,作为强调。成功的书画艺术家的作品必须具备鲜明的辨识性,具有强烈的原创精神和创新意识,即使不看落款,也能看出是某家的作品。
It is undeniable that all the works of calligraphy and painting artists are more or less integrated into their own personality components, even copying works have the projection of the personality of copyists. However, this work is often not prominent personality, so we must add the word "distinct" before "personality" as an emphasis. Successful paintings and calligraphy artists'works must have distinct identification, strong original spirit and innovative consciousness, even if they do not look at the money, they can also see the works of a certain family.
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