名人字画收买解说国画菊花的绘画技巧。
Celebrity calligraphy and painting buy and explain the painting skills of Chrysanthemum in traditional Chinese painting.
1.菊花的叶爲长形五出，多用墨画，墨色要有浓淡、深浅、干湿的变化，也可用色墨去画，如花青墨、赭石墨、草绿墨等。普通用提斗笔，饱蘸淡墨，或颜色，笔锋上蘸浓墨，侧锋行笔，三笔或五笔爲一组，片片相连，组成菊叶。
1. Chrysanthemum leaves are long and five-pronged, mostly using ink paintings. The color of ink should vary from shade to shade, dry to wet. It can also be painted with color ink, such as blue and blue ink, ocher graphite, grass-green ink, etc. Usually with a pen, dipped in light ink, or color, dipped in thick ink on the pen edge, side edge stroke, three or five strokes in a group, piece by piece connected to form chrysanthemum leaves.
点叶要失势，得生长之势、运动之势、笔墨之势。点画菊叶时，要留意形状的变化，与花要掩映生趣，整叶碎点，碎叶整点，用笔多变。叶上密下疏，上润下枯，上实下虚，不要太详细，重觉得，点完后用重墨勾勒叶筋，要自然、生动、率意，留意叶的朝向感。行，要疏密相间，前后掩映。 每片花瓣都要从花蒂处向外扩展，且不可画的散乱，不着边沿。
Points and leaves should lose their power, gaining the momentum of growth, movement and writing. When painting chrysanthemum leaves, we should pay attention to the changes in shape, and flowers to hide interest, the whole leaf fragments, broken leaves point by point, the use of pen is changeable. Leaves are dense and sparse, wet and withered, solid and empty. Don't be too detailed. Re-think, after the point, use heavy ink to outline the tendons. Be natural, vivid and frank, and pay attention to the orientation of the leaves. OK, it should be dense and close, covering up from front to back. Each petal expands outward from the pedicle, and is not picturesque and scattered, without edges.
2.攒顶型：普通多表现多瓣花，不露花心或少露花心，常表现正面、半正面花，花瓣可宽可窄，可长可短，可多可少，可曲可直。画时，用笔也多用中锋，两笔一瓣，花心处稍密，外轮廓疏散，不要太划一，构成团聚形，圆中有缺，不圆而圆，要自然，多变化，花瓣之间不可太平
2. Cumulative top type: usually multi-petal flowers, no or less dew heart, often show positive and semi-positive flowers, petals can be wide or narrow, long or short, can be more or less, can be straight. When drawing, the strokes should also be centered, with two strokes and one petal. The center of the flower is slightly dense, the outline of the flower is evacuated and not too uniform. It should form a reunion. There are defects in the circle. It is not round and round. It should be natural and changeable, and the petals should not be too flat.
3.平顶型：可单层、双层或多层，花瓣可大可小，可长可短，可多可少，可疏可密，可宽可窄，内层小外层大，内层密外层疏，普通状况下，平顶型多露花心。在画时，用狼毫中锋行笔，两笔一瓣，瓣不宜尖。可用墨勾，勾完后填色;也可用色勾。在画较多花头时，从气势上着眼，不用计较每一朵花的姿势，要疏密妥当，留意笔情墨趣，前后层次变化和全体造型。
3. Flat-top type: single-layer, double-layer or multi-layer, petals can be large or small, can be long or short, can be more or less, can be sparse and compact, can be wide or narrow, the inner small outer layer is large, the inner dense outer layer is sparse, under normal conditions, flat-top type is more open flower heart. When drawing, use the wolf's hair center to write, two strokes and one petal, the petal should not be pointed. You can use ink hook to fill in the color after you finish it, or you can use color hook. When drawing more flower heads, we should focus on momentum, not on the posture of each flower. We should be close and proper, pay attention to the interest of brush and ink, the change of front and back levels and the overall shape.
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