收买名人字画的相关问题

Relevant Problems in Buying Celebrity Paintings and Calligraphy

1.暂不装裱的书画片不可随意折叠摞起，否则寄存工夫一久就会从折叠处折断，或在折处留下黑色折痕，致使装裱后影响漂亮。假定要暂时赏识，切不可用图钉钉于墙上或用浆糊粘于墙上，否则会间接损坏书画片。正确保管书画片的方法是：可将书画片上面衬一层幅面恰当薄的宣纸或皮纸，以纸卷爲轴将书画片卷起，并用白纸或塑料膜包装，放在画盒内或书柜内。

1. Paintings and calligraphy that are not mounted at the moment should not be folded and stacked at will. Otherwise, they will break from the fold or leave black creases in the fold for a long time, which will affect the beauty after mounting. If you want to appreciate it temporarily, you must not pin it to the wall or paste it to the wall. Otherwise, it will indirectly damage the painting and calligraphy. The correct way to keep the pictures and calligraphy is to lined the pictures and calligraphy with a proper thin layer of Xuan Paper or leather paper, roll up the pictures and calligraphy on a paper roll, and pack them with white paper or plastic film, and put them in the picture box or bookcase.

2.书画装裱后更应妥善保管，寄存的外地要思索防潮、防蛀、防鼠、防新鲜、防玷污等。可将每件书画装入一个塑料袋或布袋，也可用白纸包好，寄存时要平放，切勿竖置，更不要在书画下面放置重物使书画受压。假定有条件，可依据书画规范制造画盒，并在盒内放些樟脑和吸潮剂。

2. Paintings and calligraphy should be properly preserved after mounting. The first thing to consider in the field of storage is moistureproof, moth-proof, rat-proof, freshness-proof and stain-proof. Each painting and calligraphy can be packed in a plastic bag or cloth bag. It can also be wrapped in white paper. When it is stored, it should be laid flat. It should not be erected, let alone put heavy objects under the painting and calligraphy to make the painting and calligraphy pressed. Assuming there are conditions, the cartoon can be manufactured according to the standard of painting and calligraphy, and some camphor and moisture absorbent can be placed in the carton.

3.书画裱件寄存时不宜卷得过紧或过松，更不可反卷。假定卷得过紧，天地头中间就会留下画心与边料接缝的压痕，影响书画的漂亮，还能够招致裱件的变形或呈现坠落;假定卷得过松，简单折毁书画;假定反卷，会使书画呈现一道道折痕，特别是古旧书画危害更大。

3. Painting and calligraphy mountings should not be rolled too tightly or loosely, let alone rolled back. Assuming that the scroll is too tight, the seam between the center and the edge will be left indentation, affecting the beauty of the painting and calligraphy, but also can cause the deformation or fall of the mounting parts; assuming that the scroll is too loose, simple to damage the painting and calligraphy; assuming that the reverse scroll, will make the painting and calligraphy show a track indentation, especially ancient painting and calligraphy more harmful.

4.悬挂和展示书画时要稳重从事。悬挂书画时要一手持画钗挑住画绳，一手托住书画未翻开的局部，然后逐渐放开来将书画挂起，取下画钗。

4. When hanging and displaying paintings and calligraphy, we should do it steadily. When hanging paintings and calligraphy, one hand should hold the painting rope with a painting hairpin, the other hand should hold the unopened part of the painting and calligraphy, and then gradually release the painting and calligraphy to hang up and remove the painting hairpin.

展示书画时要一人牵引画绳，另一人两手持轴头将书画翻开，切忌两手向上持书画中心局部，否则5指会将书画划出折痕。关于无轴头的书画作品，展示时要用两指夹住，使画件从指缝中经过。此外，还应留心书画不宜长工夫悬挂，挂一段时期后要卷起保藏一段工夫;对久存的书画要守时挂出来通风。

When displaying calligraphy and painting, one person should pull the drawing rope, and the other hand should open the painting and calligraphy with two axle heads. Do not hold the central part of the painting and calligraphy upward with both hands, otherwise the five fingers will mark the calligraphy and painting with creases. As for the works of calligraphy and painting without axle head, it is necessary to clamp them with two fingers when displaying them so that they can pass through the fingertips. In addition, we should also pay attention to the painting and calligraphy should not hang for a long time, after hanging for a period of time to roll up and preserve a period of time; for the long-standing painting and calligraphy to hang out punctually ventilated.

5.展示手卷、册页更要加倍留心，因手卷、册页的装裱较其他书画的装裱混乱。手卷在展示时要放置平整的案头或桌子上，留心案面或桌面不应有水点或脏物。手卷翻开时不宜展得过长，要边展边卷。册页翻开时不必手指翻，可用一个光滑而无毛刺的竹条插进册页夹页之间翻页。册页普通较厚，末尾翻页或翻到终究几页会呈现双面薄厚不均，两页之间悬空，此时假定不留心压住幅面中心的悬空处，则易构成折断景象。

5. More attention should be paid to the display of handbooks and pamphlets, because the mounting of handbooks and pamphlets is more confusing than that of other paintings and calligraphy. Hand rolls should be displayed on a flat desk or table. Be careful that there should be no water or dirt on the desk or table. Handrolls should not be rolled too long when they are opened. They should be rolled as they are unfolded. It's better not to turn the pages with fingers, but to turn the pages between the pages with a smooth and burr-free bamboo stick. Album pages are usually thicker, turning pages at the end or turning pages eventually will show uneven thickness on both sides, hanging between the two pages. At this time, if we do not carefully press the hanging space in the center of the breadth, it is easy to form a broken scene.

6.保管现已破损的古旧书画更要稳重，一时不能修正的不要随意展示，以避免书画再度破损。假定是已破碎的书画则更要避免散片丢掉，避免给未来修正带来困难。无论是新旧书画，只需原裱尚能悬挂，画心尚无破损，普通不要急于揭裱修正，因揭裱一次就会对书画的纸素损害一次。假定原裱书画坠落或画心破损严峻，则应及时停止揭裱修正。

6. Keep the damaged old paintings and calligraphy more stable. Don't display them casually if they can't be corrected for a while, so as to avoid the re-damage of the paintings and calligraphy. Assuming that a broken painting or calligraphy is broken, it is more important to avoid discarding fragments and making future revisions difficult. Whether new or old paintings, as long as the original mounting can still hang, the heart of the painting is not damaged, generally do not rush to unmount corrections, because once unmounted will damage the paper elements of the painting once. Assuming that the original mounted calligraphy and painting falls or the core of the painting is severely damaged, it is necessary to stop exposing and correcting it in time.

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