托补:已揭好的画心,如完整,可调兑稀糊,托一层比命纸命绢稍浅的旧色纸.如有残缺,可用手将画心残处边际揉出薄口,选好补纸,端正纹理补上,并在补口边际搓出薄边.使接缝处厚度适宜.补缀残缺的绢本字画,一种方法是揭毕待干,用刀将残处刮成薄口,上糊补绢,浆口干后再修刮补绢边际,使补口相合.
Tonic: the painted heart has been uncovered, such as complete, adjustable and RRM, and a layer of old color paper which is slightly lighter than the life paper. The knife will scrape the scraps into thin mouth, paste up the silk, paste the dry mouth, then repair and scrape up the edge of the silk, so as to make the mouth match.
另一种方法是托上一层与原命绢质地、丝纹相近的薄绢.正面如有残缺,可用素纸补在托绢的背面,使画心薄厚统一,干后再用刀修磨画面残缺处的边际.托旧绢画心时,要用干纸吸去正面的溢糊,以免留有浆迹,影响古旧作品的"褒光".
Another method is to hold a thin silk which is similar to the original silk texture and silk. If there is a defect in the front, it can be filled in the back of the handkerchief with a piece of paper, so that the drawing heart is thick and thick, and then the edge of the fragmentary place is worn with a knife. When the old silk is drawn, the paste is sucked to the front with dry paper so as to avoid the paste and influence the "praise" of the old works.

全色:字画经揭托,待干后,务使补纸补绢的矾性适度.否则,矾轻则透色,矾重则滞笔.全色时,应将颜色调兑得浅些,复次全就,使颜色渗进纸纹纤维,取得画面色调统一的效果.画心有缺笔的,补全时,需先审视画心气韵及用笔特点,然后轻勾轮廓,调兑颜色,进而全之,力求使补全的一笔一点、一墨一皴均与原画浑然一体.
Panchromatic: calligraphy and painting, to be dried, to make up the paper to fill the silk of the alum moderate. Otherwise, the alum light is transparent, the alum weight is stagnant pen. When all color, the color should be changed shallow, the reiteration is all, the color infiltration into the paper fiber, the picture tone uniform effect. When the painting heart is short of pen, fill the complete, need to examine the painting heart rhyme and pen features, and then light Outline, adjust the color, and then the whole, and strive to make the completion of one point, one ink and one Cun together with the original painting.
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